Shooting Around Crowds

Michelangelo's Pieta
Michelangelo’s Pieta

Shooting in a crowded area, when the crowd itself isn’t the object of your work, just plain SUCKS.  It’s a huge pain.  Case in point here: the Vatican Museums.

This is a slightly popular spot.  In the sense that a sea of humanity moving along like the tide of the ocean is a “small crowd.”  What it means in practice is, not much time to compose and shoot, and minimal (if any) chances on a re-do.  Doubly a nuisance given the world-class art and architecture that I was trying to capture.

da Vinci
da Vinci

Like I said, world class.  And unfortunately, very dark in most galleries, and flash is a huge no-no (like instant ticket to the place of fire – as it should be).  So I shot on ISO 1600, as high as I could stomach, and have to do a lot of painstaking sharpening and noise reduction afterward at home.  And that’s even with a private guide and getting in early!  I’d hate to think of just blundering about in there.


Clear proof that photographers are johnny-come-latelys when it comes to painting with light.  To think that people of his day thought he stunk!  Imbeciles, all.

Bramante Staircase
Bramante Staircase

But not all areas are crowded, if you plan ahead and are willing to shell out some money.  This is the Bramante staircase, made in the 1500s for Pope Innocent VIII, to allow him to ride his carriage all the way up to his palace without having to walk.  Lazy sod.

Historical note – the same Bramante that built this suggested that the Holy See hire Michelangelo to paint the Sistine Chapel, thinking that this sculptor from Florence was a hack who’d bungle it and make Bramante look good.  Oops.

More on crowds next time, St. Peter’s and Sistine Chapel edition!

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